As much a film □□□□ about accepti □□□□ng grief as ac □□□□cepting death— □□□□of being perpe □□□□tually, profou □□□□ndly melanchol □□□□ic in a beauti □□□□ful world. Kor □□□□eeda's long sh □□□□ots XL上司带not only p □□□□rovide an aest □□□□hetic a翻译无马赛nswer t □□□□o the film's p □□□□hilosophical p □□□□remise but als □□□□o establish a □□□□respectful dis □□□□tance from Esu □□□□mi's protagoni □□□□st: it'樱花s forma □□□□list cinema of □□□□ a humble and □□□□deeply compass □□□□ionate nature. □□□□